Given the compact site, the building form seeks to maximize efficiency, with an impactful, attractive look. The facades were conceived thinking of the interior climate of the building and the functionality of the interior spaces. The front, west-facing glazed façade is protected by an interesting metallic screen, referred to as “the spider”. The sides of the building are conceived as opaque surfaces to ensure new neighbors would not interrupt the privacy of the offices, anticipating the fact that in the near future the adjacent plots will be developed as highrises. These ventilated rainscreens help insulate the offices and also allow for more flexibility of interior layouts. The building’s simple geometry plays with the user’s perception of the building by distorting the scale of the interior elements, hiding floor breaks with the metal structure and an oversized red “door frame” marks the entrance to the lobby. This way the building becomes a “small” great building. This frame provides a solution that is both complex yet simple, large and small, running from boredom and communicating with its audience, stimulating their eyes and minds in a context of otherwise concrete boxes with never ending punched openings. This daring solution assumes its potential as an iconic building, promoting not only itself but all great architecture. The building’s simple geometry plays with the user’s perception of the building by distorting the scale of the interior elements, hiding floor breaks with the metal structure and an oversized red “door frame” marks the entrance to the lobby. This way the building becomes a “small” great building. This frame provides a solution that is both complex yet simple, large and small, running from boredom and communicating with its audience, stimulating their eyes and minds in a context of otherwise concrete boxes with never ending punched openings. This daring solution assumes its potential as an iconic building, promoting not only itself but all great architecture.